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<title>Rss Feed</title>
<link>http://jew-ish.com/</link>
<description></description>
<dc:language>en</dc:language>
<dc:creator>dikla.tuchman@gmail.com</dc:creator>
<dc:rights>Copyright 2012</dc:rights>
<dc:date>2012-05-08T15:51:+00:00</dc:date>
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<item>
<title>No need to beet around the bush</title>
<content:encoded><![CDATA[]]><![CDATA[Food empathy: How do we reconcile everyone's eating preferences and restrictions with what we love to cook? Joelle delves into this very issue as she examines her own struggle with <e>kashrut</e>. <p>I’ve had the recipe for <a href="http://www.epicurious.com/recipes/food/views/Beet-Ravioli-with-Poppy-Seed-Butter-232091">beet ravioli</a> on my recipe queue for the past year. I’ve also had the beets patiently biding their time in my refrigerator. Nonetheless, a year has passed, and the beets and I still await our rendezvous. Clearly, something is wrong with this situation. The problem is food empathy.</p>

<p>As someone who has their own food idiosyncrasies, ideally, I should have a good deal of food empathy. But as I ponder this fact now, I am coming to the harsh realization that I may have far less than I would like or am proud of. Or perhaps I have too much, and express it in less than productive ways.</p>

<p>I started keeping kosher to an extent when I was 13, and growing up in the <a href="http://www.njpinebarrens.com/">Pine Barrens</a> of Southern New Jersey, it was sometimes easier to do than others. The worst moments of food alienation came when I lived for four months in Belgium and then for four months in Hong Kong. In Belgium, the baguette with brie started out as a fine lunch, but after a week of it, while everyone else enjoyed an array of indulgent and succulent foods, it started to get old. Hong Kong was even worse – with so many new and exciting foods and flavors served family-style, I was stuck scrutinizing menus and waiters, resigned to a plate of some steamed green vegetable or maybe some noodles. </p>

<p>The lowest point came when my Mandarin class took a field trip to a dim sum restaurant, and as my classmates devoured barbecued pork buns and chickens’ feet, I ate bok choy. Looking back, it doesn’t seem like eating perfectly good bok choy should be that big of a deal, but I can assure you that it was quite an emotional experience being hungry and disappointed while my classmates gorged themselves on tasty foods. </p>

<p>Moving to Seattle was a welcome change – nearly every potluck I go to is vegetarian and most restaurants have extensive vegetarian options or are accommodating. But given my difficult food experiences, you might expect me to be exceptionally in-tune to other people’s dietary needs and preferences. Unfortunately the most I can say is that, well, I do my best. As an occasional hostess who loves to go overboard with involved recipes and gastronomic delights, my friends’ complicated eating restrictions are a major frustration. Between the vegetarians, the gluten-frees, the dairy-frees, and the fish- and tomato-averse, creating a meal to not just feed, but delight a crowd becomes an exercise in logistics and coordination that is often more than I bargained for.</p>

<p>The result is that the beet ravioli has not come to fruition, but at the same time, if I’m honest about it, I don’t fully accommodate my guests either, making some compromise dish. And while my guest assures me that she is full and satisfied on the salad and roasted vegetables I’ve provided her for dinner, I know that I should strive for better if I want to be a good hostess and a good friend. And at the same time, I should find a way to make the foods I fantasize about a reality for those whom they will be a delight rather than a downer.</p>

<p>The challenge to being empathic, both with regard to food and life, is to really recognize the way that others feel and support them as best we can. But at the same time, to be able to empathize, we need to recognize how we ourselves feel so that we can meet our own needs. </p>

<p>So I’m committing to making the beet ravioli for someone who will appreciate it in the way that I will. And when my gluten-free, dairy-free, vegetarian comes over, I’ll try to <a href="http://www.davidlebovitz.com/2012/01/wild-rice-salad-recipe-with-roasted-vegetables-and-lemon-tahini-dressing/">make something we can both enjoy as well</a>. It is my hope and my conviction that if we can acknowledge people for who they are and embrace them as well as ourselves, we can all be better off&#8212;living and eating in a world of connection rather than isolation. </p>

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<dc:subject><![CDATA[Food,]]></dc:subject>
<dc:date>2012-05-14T21:53+00:00</dc:date>
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<title>The too&#45;often overlooked contributions of Israeli scientists</title>
<content:encoded><![CDATA[]]><![CDATA[Israelis contribute breakthrough discoveries in many scientific fields, so what's the deal with their not receiving the appropriate cred?   <p>While Israel celebrates the 100-year anniversary of the founding of the Technion-Israel Institute of Technology, Israeli innovations all too often seem to fall “under the radar” of most of the general public today. The country’s contributions include medical research, new technologies, advances in biotechnology, nanotechnology, computer science, energy, water-resource management, drug development, and aerospace.<br />
Perhaps it’s just a low-key approach to publicity coupled with a general adherence to humility and reluctance toward self-promotion, but in 2010, the Israeli Academy of Sciences, Israeli government officials, and American Jewish organizations raised objections over what they claim are glaring omissions of Israeli awards in the 2010 United Nations Education and Science Organization Science Report, a 500-page global compendium of scientific accomplishments between 2005 and 2010.<br />
The report not only omitted an Israel country profile, but Israel was also missing from the list of comprehensive regional descriptions.<br />
The academy cited the most notable absence of any mention of several Nobel Prize-winning researchers from the main body of the UNESCO report, which failed to include any mention of the 2009 Weizmann Institute of Science Nobel Prize winner in Chemistry, Prof. Ada Yonath, even though UNESCO gave Yonath the L’Oréal-UNESCO Award for Women in Science the year before.<br />
Yonath shared the prize with two others for her work on ribosome structure, relentlessly observing how cells build proteins. Her work paves the way for further research toward developing bacteria-resistant antibiotics.<br />
UNESCO not only declined to make these updates despite repeated requests from Israel, but it also declined to update the report with the addition of Technion-Israel Institute of Technology Prof. Dan Shechtman’s 2011 Nobel Prize in Chemistry, awarded for his discovery of quasi-crystals, a bonding action within the atoms of rigid crystals that results in the creation of ultra-strong materials for use in new technologies.<br />
UNESCO denied willfully omitting the information. However, skeptical Israeli officials have pressured the organization for more than a year to remedy the “oversight.”<br />
Gretchen Kalonji, assistant director general for Natural Sciences at UNESCO, told the Times of Israel that she had no knowledge of how this happened and that those responsible are now gone.<br />
“The report has changed in format over the years, and previous versions had Israel prominently featured,” Kalonji said. “But the omission was definitely not politically motivated. We have had good ties with Israeli scientists for many years, and we intend to post the chapter on Israeli achievements in the 2005-2010 report.”<br />
The UNESCO report remains unchanged as of this article’s publication, despite more than a year of requests from Israeli officials and promises from UNESCO that they would do so.<br />
Most recently, in March 2012, UNESCO named Weizmann Institute of Science biologist Dr. Naama Geva-Zatorsky Europe’s top young researcher of the year for her work using probiotics in treating disease. Geva-Zatorsky is also one of 15 winners of the L’Oreal-UNESCO Fellowships for Outstanding Women Scientists. She, too, has not been added to the report.<br />
So, as the Technion celebrates a century of discoveries since the laying of its first cornerstone in 1912, it’s time to beat the drum and spread the word about this world-class institution and others that are leaders in the development of so many revolutions in science and technology.<br />
Israel is the home of 10 Nobel Prize winners:<br />
• The first Israeli Nobel Peace Prize recipient was Shmuel Yosef Agnon, who won for Literature in 1966.<br />
• Menachem Begin, Shimon Peres and Yitzhak Rabin all won the Nobel Peace Prize, Begin in 1978 and Peres and Rabin in 1994, with then-PLO President Yasser Arafat.<br />
• Of the seven other Nobel Prizes awarded since 1994, three of the four Nobels earned in Chemistry have been awarded to Technion researchers, including the most recent Schectman award.<br />
• In 2002, Prof. Daniel Kahneman won the Nobel Prize in Economics for his integration of psychological research into the study of economics.<br />
• In 2004, Technion professors Aaron Ciechanover and Avram Hershko won Nobel Prizes in Chemistry for their 1978 discovery of the ubiquitin system. Ubiquitins are a kind of protector protein that can fend off the development of several diseases within cells such as cancer, Alzheimer’s or Parkinson’s disease, muscular dystrophy, and viral diseases.<br />
• In 2005, Israeli mathematician Yisrael Robert Aumann won the Nobel Prize in Economics for his work on game theory, conflict, and cooperation.<br />
So, when the new Technion Cornell Institute of Innovation opens in the heart of New York City next fall, it may be impossible to overlook the obvious.</p>]]><![CDATA[]]></content:encoded>
<dc:subject><![CDATA[Israel,]]></dc:subject>
<dc:date>2012-05-11T19:00+00:00</dc:date>
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<title>Lipstick and the law</title>
<content:encoded><![CDATA[]]><![CDATA[Our round-up for the Jewish/Israeli films being shown at this year's Seattle International Film Festival. <p>The 36th Annual Seattle International Film Festival kicks off 25 days of non stop cinema on Thurs., May 17. Tickets can be purchased online at www.siff.net, by phone at 206-324-9996, as well as during business hours at any SIFF venue on festival days, subject to availability. If advance tickets are no longer available a limited number of standby tickets may be released 10 minutes before show time. Theater and venue box offices open 30 minutes before the first screening and close 15 minutes after the last screening begins.<br />
<strong>Lipstikka</strong><br />
Rating: Very Good<br />
Israel/UK — Partially Subtitled<br />
Genre: Coming of Age/Psychodrama<br />
Fri., June 8–9:30 p.m., SIFF Cinema Uptown<br />
Sun., June 10 – 4 p.m. Pacific Place <br />
Lara and Inam were best friends and possibly even more while growing up as teenagers in the Palestinian territories. Their lives are forever changed by a chance meeting with two Israeli soldiers when they sneak across the border into Israel one night after curfew to go to a movie. The film leads off 15 years later, when they are both living in London, as Inam drops over unexpectedly and apparently somewhat unwelcome to visit Lara on her birthday. Part coming of age and part psychodrama, the story plays itself out through flashbacks in time to finally reveal the full story at the conclusion.<br />
This unique motion picture crosses many boundaries while it takes the audience deeply into the lives of the characters. Writer/director Jonathan Sagall has created a film that will keep the audience guessing and anticipating throughout as to what really transpired in the women’s mutual past together and how it effects their present relationship.<br />
The production values are strong, yet it is the excellent performances by veteran actresses Clara Khoury (Lara) and Nataly Attiya (Inam) who portray their conflicted intertwined characters with amazing realism. When the film reaches its conclusion, the final plot twist is completely unexpected, yet it resolves all the questions left in the minds of the audience. No loose threads remain, which seems entirely plausible and consistent. This is a worthwhile SIFF film to catch this year and a demonstration of the current state of Israeli filmmaking.<br />
<strong><br />
Sharqiya</strong><br />
Rating: Very Good<br />
Israel/France/Germany — Subtitled (Filmed entirely in the Negev Desert)<br />
Genre: Character Profile<br />
Mon., May 21 – 8:30 p.m., SIFF Cinema Uptown<br />
Wed., May 30 – 4:30 p.m., Pacific Place<br />
Thurs., May 31 – 7 p.m., Pacific Place<br />
Kamel is a 20-something Bedouin who served in the Israeli army and lives with his brother and sister-in-law in an encampment of sheet metal crate-like structures on his family’s ancestral land. He works as a security guard at the nearby bus terminal, repairs video equipment in his spare time, and seems to have earned the scorn of his brother, who dislikes Kamel’s life choices.<br />
The film begins with the discovery of an eviction notice on their home. They must then deal with a hostile bureaucracy to find out why and what their options are. This interesting film provides a realistic character profile of Kamel as we watch him live out his life with the family strife and the impending eviction. As the screws tighten, he hatches a plan to save their home by setting up a scenario to make himself a hero at his job, which he believes will bring media attention to their plight.<br />
When the authorities arrive to evict the family, we catch a glimpse of Kamel’s values and his deep attachment to what appears to be the one successful time in his life — when he served as a soldier in the army. This film is a tribute to the dignity and resilience of humans to deal with tragedies we often face and our ability to keep going even against all odds — as well as the struggle to find one’s own identity. This SIFF entry is something worthwhile to watch.</p>

<p>The following additional SIFF films have been identified as those of Jewish interest and will be reviewed as they become available:</p>

<p><strong>Daas</strong><br />
<em>Poland – Historical Drama</em><br />
Fri., May 18 – 4 p.m., Egyptian Theatre<br />
Sun., May 20 – 6:30 p.m., SIFF Cinema Uptown Theatre<br />
Sat., June 2 – 3 p.m., Harvard Exit </p>

<p><strong>The Law in These Parts</strong><br />
<em>Israel – Documentary</em><br />
Sun., May 27 – 1:30 p.m., Pacific Place<br />
Tues., May 29 – 6:30 p.m., SIFF Cinema Uptown</p>

<p><strong>Simon and the Oaks</strong><br />
<em>Sweden – Drama</em><br />
Sat., May 19 – 1:45 p.m., Renton<br />
Mon., May 28 – 6:30 p.m., Egyptian Theatre<br />
Thurs., June 7 – 3:30 p.m., SIFF Cinema Uptown</p>

<p><strong>Six Million and One</strong><br />
<em>Israel/Austria/Germany/USA – Family Documentary</em><br />
Sun., May 20 – 6:45 p.m., Pacific Palace<br />
Mon., May 21 – 4 p.m., Pacific Place<br />
Wed., May 23 – 6 p.m., SIFF Cinema Uptown<br />
<strong><br />
Ira Finkelstein’s Christmas</strong><br />
<em>USA – Family Comedy</em><br />
Tues., May 22 – 7 p.m., SIFF Cinema Uptown<br />
Sun., May 27 – 1 p.m., Everett<br />
Fri., June 9 – 11 a.m., Pacific Place <br />
<strong><br />
5 Broken Cameras</strong><br />
<em>Palestinian Territories/Israel/France/Netherlands – Documentary</em><br />
Thurs., May 24 – 6:30 p.m., SIFF Cinema Uptown<br />
Mon., May 28 – 3:30 p.m., Everett<br />
<strong><br />
Policeman</strong><br />
<em>Israel - Political Drama</em><br />
Tues., May 29 – 9 p.m., Pacific Place<br />
Mon., June 4 – 9 p.m., Pacific Place<br />
Wed., June 6 – 3:30 p.m., SIFF Cinema Uptown</p>

]]><![CDATA[]]></content:encoded>
<dc:subject><![CDATA[Jewish Film,]]></dc:subject>
<dc:date>2012-05-10T21:08+00:00</dc:date>
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<title>Trimpin’s train ride through hell</title>
<content:encoded><![CDATA[]]><![CDATA[A story that had to be told is brought to life through the use of innovative artistry.<p>In the mid ’60s, in the small German village of Efringen-Kirchen on the French border, a preteen boy and his friends came upon an old, overgrown cemetery. The headstones, many of which were falling over, had strange writing on them; the boys had never seen anything like it.<br />
One of them was especially intrigued. He went home and asked his parents about the cemetery. They told him it was where Jews from their community were buried. The boy had never heard of Jews or Judaism but yearned to learn more about these mysterious people and the reason for their disappearance.<br />
Fortunately, his parents and grandparents were willing to talk. They didn’t know a lot about Jews — mostly that they went to a synagogue rather than a church and didn’t celebrate Christmas — but shared with the boy what they did know. And they told him about the Holocaust, the first time he had ever heard of it. The boy’s parents knew that the Jews of the town had been sent to the Gurs internment camp in France in 1940; they didn’t know for sure what had happened after that, but it wasn’t hard to guess.<br />
The boy’s curiosity led him to research what had occurred. His primary school history books were no help; pages relating to anything after 1933 had been torn out and there was no classroom discussion of the war or the Holocaust. So he relied on his parents and grandparents, who had opposed the Nazis. They told him what little they knew of Gurs and who in their town had been part of the local Nazi organization.<br />
Over the years, the boy heard more about Gurs and the Holocaust, especially after the film “Shoah” was shown in Germany. He discovered that Hannah Arendt and her family had been sent to Gurs when the French rounded up non-French Jews who had sought refuge in their country, and that the famous German painter Felix Nussbaum had also spent time there. Then, in the late 1980s, the boy — now a man — met a reclusive American composer named Conlon Nancarrow who had also been at Gurs. Nancarrow had fought in the Spanish Civil War and been sent to Gurs by the French in 1939, shortly before the Jews arrived there.<br />
By the time he met Nancarrow, the boy had grown into an accomplished kinetic sculptor, composer and designer of strange and beautiful musical instruments he dubbed “sound sculptures.” He had dropped his first name and moved to Seattle, where he became known simply as Trimpin. And he remained haunted by Gurs and what had happened to the Jews who were sent there.<br />
At some point — he can’t identify precisely when — Trimpin decided to create a performance piece about Gurs and the Jews of Efringen-Kirchen. The project, titled “The Gurs Zyklus” (“The Gurs Cycle” in English), was given a major boost when Victor Rosenberg, the nephew of a Gurs internee, read about Trimpin’s project in The New Yorker. Rosenberg contacted Trimpin and offered a cache of his uncle’s letters written from Gurs. Another unexpected gift came while Trimpin was developing The Gurs Zyklus during a residency at Stanford University. Menlo Park resident Manfred Wildman, who had been interned in Gurs as a 10-year-old boy, read about the project in a local paper and provided more information about the camp.<br />
Trimpin and his collaborator, writer and narrator Rinde Eckert, have incorporated content from both Rosenberg and Wildman into the script and imagery for The Gurs Zyklus, plus Trimpin’s original research. This includes a train ride Trimpin took from his hometown to Gurs, following the exact path that the Jews followed. Although the camp buildings have been destroyed, The Gurs Zyklus incorporates Trimpin’s photos of the cities and countryside that the train passes through as well as images of the 70-year old trees at the site, which he regards as “witnesses” to what happened.<br />
Like much of Trimpin’s work, it’s hard to describe precisely what The Gurs Zyklus is. There is a narrator (Eckert) plus four female vocalists and, of course, an array Trimpin’s original kinetic sculptures. These include his signature fire organ in which a computer keyboard controls Bunsen burners to make a sound similar to that of a pipe organ. There are also rolling teeter-totters equipped with speakers that blast train sounds from Trimpin’s trip to Gurs, a computerized music program that interprets photos of the bark patterns taken from the trees at Gurs as sound, and four player pianos.<br />
Although The Gurs Zyklus is, in its current form, a live theatrical performance, Trimpin has conceptualized it so it can be performed in a range of settings and as an interactive exhibition in a museum or art gallery. Wherever it’s offered he says the goal is to enable others to understand what happened in Gurs.<br />
“This is not like reading a history book,” he explains. “It should be similar to how I experienced Gurs when I asked about it and wanted to learn more, to understand this chapter in our history and determine that it will never be forgotten.”<br />
A video of MacArthur “genius” award-winner Trimpin talking about The Gurs Zyklus at Stanford University is available on YouTube at youtu.be/cYyVMVHsSL4.</p>]]><![CDATA[]]></content:encoded>
<dc:subject><![CDATA[Theatre,]]></dc:subject>
<dc:date>2012-05-09T23:13+00:00</dc:date>
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<title>The Black&#45;Jew Dialogues: Laughing through our differences</title>
<content:encoded><![CDATA[]]><![CDATA[The Black-Jew Dialogues has been surprising and drawing audiences all over the world with their witty social justice based improv for over five years. Finally the comedy team of Larry Tish and Ron Jones makes its way to Seattle for one night only at the Theatre Puget Sound. <p>In The Black-Jew Dialogues, Emmy-award winner Ron Jones and veteran performer Larry Jay Tish take their audience on a hysterical, poignant ride through three days they spent together in a cheap hotel room discussing their own experiences, the history of their people, and why there has been a growing rift between the two groups since the early 70s. Through their dialogue, the audience gains insight to the true nature of prejudice and how our inability to face our own biases separate us in ways that we aren&#8217;t often conscious of. <br />
While the two creators didn’t necessarily set out to create a show that dealt with social justice, what the Black-Jew Dialogues has become is a way for us to have some tough conversations in a meaningful, yet low-pressure way. The success of the show comes from the ability of the performers to bring to light introspection on the part of two cultures that are in some ways very much alike. <br />
We sat down with Jones and Tish and discussed the evolution, challenges, and rewards of doing such a unique performance.<br />
<strong>Jew-ish</strong>: Is this your first time to Seattle?<br />
<strong>Tish</strong>: This is our first time out to Seattle. We were invited to Clover Park Technical College to perform in the morning, and will be performing at the Theatre Puget Sound that evening. <br />
Jew-ish: How long have you two known each other? <br />
<strong><br />
Jones</strong>: We met about 13 or 14 years ago when we auditioned for this weekend job as pirates in a furniture store. Larry and I both got the gig and I was made the cast manager. We were sitting there in our little office/dressing room and we started getting to know each other. Five or 6 years later Larry said, “You wanna write a show?” I said sure why not. And then we started working on this project. Not long after, we started improving together.<br />
<strong><br />
Jew-ish</strong>: Do you two have improv backgrounds?<br />
<strong><br />
Jones</strong>: I have a fairly extensive one, since the mid-80s in college. I used to have a TV program up in Canada that was a competitive improv show, and I directed my own theatre in Boston.<br />
<strong><br />
Tish</strong>: I started maybe 12 years ago; I joined an improv troupe. My background in acting started in improv. I started a company that did improv for corporations, then later took acting classes. I’m pretty green; Ron is the man when it comes to improv. <br />
<strong>Jew-ish</strong>: What brought about the idea for this show? <br />
<strong>Tish</strong>: The show that we do now is way different than what originally was created. I wanted to explore Black and Jewish relationships. I asked Ron to write it and we set out to write a comedy about Blacks, Jews and ourselves. As we started to explore social justice, we made it more about that. We premiered the show in 2006 in Edinburgh. People wanted to talk about the issues that we brought up, and people wanted to bring us to their schools. Slowly it became this diversity program on college campus. <br />
<strong>Jones</strong>: Not just college campuses. The idea that the very first night that we premiered the show, a Rabbi approached us and said, “Bring this to our synagogue.” High school shows also, people get really excited about talking about the issues.<br />
What we try to do is make it fun. That’s our big thing. We know that these issues – racism and bigotry – tend to get contentious and tend to get heated. This makes any real productive conversation much more difficult. We try to lower the temperature with comedy. What we are doing on the stage is we are illustrating things we know people already think. I think that’s why it resonates across the board.<br />
<strong>Tish</strong>: It resonates for a lot of the Jewish audiences we play. For a lot of people, they are aware of the Black-Jewish relationship, but don’t know much about it. Our show really opens up the path to dialogue. <br />
<strong><br />
Jew-ish</strong>: What do you hope to accomplish with your performances?<br />
<strong>Jones</strong>: If I could snap my fingers and say, “What is the end game of this show that I’d like to make real?” We would find someone to help us expand the message; someone to help us grow the visibility of this message. Because this show is basically a delivery system for the conversation we should be having, not constantly, but regularly, about the nature of who we are as a people. It doesn’t happen nearly enough. It usually only takes place if something bad happens. And that’s what bothers me. We don’t give ourselves credit that we can engage in these conversations and slowly get better at them. <br />
<strong><br />
Tish</strong>: I agree. I like that.<br />
<strong>Jew-ish</strong>: Do you get any negative feedback from the show? <br />
<strong>Tish</strong>: Rarely. <br />
<strong>Jones</strong>: It’s come up, but it’s usually something that can be dealt with fairly directly. <br />
We were supposed to be doing a show in Southern California last week. Someone took great offense to our logo and sent an email around saying basically, “Who is bringing this buffoonery to our campus?” This was the chief diversity officer of the campus. I got in touch with this individual, and invited him to our show, saying, “Please come to our show before you make a judgment call.” If you still have issues, bringing them up in the forum at the end of the show. I got no response. The groups who were sponsoring the show, African American Union and Hillel, got intimidated and canceled the show a week before it was supposed to happen. <br />
<strong>Tish</strong>: We fight this fight with our show and this is what we’re trying to expose with our show and talk about. Our show is actually much more sophisticated than that. <br />
<strong><br />
Jew-ish</strong>: What’s your favorite part of doing the show?<br />
<strong><br />
Tish</strong>: I really enjoy the old ladies that we plan. My grandma lives through me, I get to feel my Grandma Esther. I also really like the discussion and dialog afterwards. Some people share some things that are really heart wrenching and revealing about themselves. It really inspires me to work hard and do more. <br />
<strong>Jones</strong>: I like the whole show; I like all the sketches. I enjoy getting on stage and shaking my big behind. That’s all acting is to me is me having fun. I enjoy the conversation what we have afterwards when people are lively and engaged. <br />
<em><br />
The Black-Jew Dialogues is playing on Wednesday, May 16 at 7:30 p.m., at the Theater Puget Sound, Seattle Center’s Center House, 305 Harrison St., Fourth Floor, Seattle. Tickets cost $16 and can be purchased <a href="http://www.theblackjewdialogues.com/showtickets.php">here</a>. </em><br />
<strong>Want to win tickets to the show? Like us on Facebook and we&#8217;ll announce the winners on Monday, May 14!</strong></p>]]><![CDATA[]]></content:encoded>
<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-05-08T00:02+00:00</dc:date>
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<title>Groucho’s solo act, live in 2012</title>
<content:encoded><![CDATA[]]><![CDATA[You've never seen anything like it: Frank Ferrante brings his incredible depiction of Groucho Marx to the ACT Theatre this month. <p>It will come as no surprise to anyone who has seen Frank Ferrante at <a href="http://www.zinzanni.org/">Teatro ZinZanni</a> that this is a man who knows how to ad-lib. The wisecracking Ferrante has starred in several ZinZanni productions, most recently in “Hail Caesar!” but he has a whole other career — playing the legendary comedian Groucho Marx.</p>

<p>Despite his local following and the enormous success of the Groucho show, which Ferrante has performed in more than 400 cities across the U.S. and Canada, Ferrante has never played it in Seattle. But that’s about to change as <a href="http://www.acttheatre.org/">ACT Theatre</a> presents the production in a three-week run from May 3-20. For Ferrante, whose typical Groucho gig is one or two performances per city, this is a chance to settle in with local audiences and he’s clearly excited at the prospect.</p>

<p>Ferrante comes by his impression — he doesn’t like the word “impersonation” — of Groucho honestly. Ferrante saw his first Marx Brothers movie, “A Day at the Races,” when he was 9 and was immediately captivated by Groucho in particular and by all the Marx brothers in general. Immediately afterward, Ferrante went to his local library and started reading all about the Marx brothers and other vaudeville stars of their era.</p>

<p>He had a chance to see Groucho in person just once, as the great man was nearing the end of his life. When Ferrante was 13, his father took him to a performance Groucho was doing for a book promotion and although Groucho looked, in Ferrante’s words “like he was almost ready to expire,” Marx’s quick wit was on full display. To a woman who wanted to know, “What do you dream of?” Groucho responded without skipping a beat, “Not you.”</p>

<p>By the time he was a theater major at USC, Ferrante was completely hooked on Groucho’s unique blend of wit, physical comedy and improv. When it came time to create a student project, Ferrante developed his first iteration of the Groucho show. He invited Marx’s son Arthur to a performance and when Arthur Marx decided to write a show about his father’s life a few years later, he asked Ferrante, then 23, to star in it. When “Groucho: A Life in Revue” opened in New York in 1985, it was a surprise hit and went on to an equally successful run in London, paving the way for Ferrante’s lifelong commitment to keeping Groucho’s jokes, songs and spirit alive.</p>

<p>“Groucho is my alter ego,” explains Ferrante. “There’s so much in life we don’t say but Groucho cut through that. He had license to say ‘the emperor has no clothes’ and an outsider’s humor like the guy who crashes the party but refuses to be put down by the lack of inclusion.”</p>

<p>But Groucho’s appeal for Ferrante is far greater than his ability to take on the establishment and get away with it.</p>

<p>“Groucho could do it all. He could read the dictionary and make you laugh, he could go from falsetto to bass, he was athletic and he was fearless.”</p>

<p>Although Ferrante is not Jewish, he honed his gift for shtick not just by watching Groucho but also from some of the greatest Jewish-American comedians, like Milton Berle and Sid Caesar, at New York’s Friars Club. Over the years, Ferrante has taken Berle’s advice to “do everything and learn from everything you do” to heart and though he has played Groucho for more than 25 years, he continues to fine-tune his performance. “Each time before I go on, I say ‘Frank, your job is to exhilarate the audience and share the playfulness of the Marx brothers.’”</p>

<p>Given the improvisational nature of “An Evening with Groucho,” Ferrante has a chance to continually hone his comedic skills. The performance, which Ferrante describes as “what Groucho himself would have done in 1934 if he had worked without his brothers,” is tightly structured to include material from Groucho’s films and shows but also includes “pockets” to allow for improv bits. As he does at ZinZanni, Ferrante wanders through the audience, stopping for a few wacky one-liners, or calling an unsuspecting soul up on stage for what invariably turns out to be a hilarious interchange.</p>

<p>Most of all, Ferrante says he tries to “conjure up the spirit of Groucho and emphasize his performing style” in a format he describes as part stand-up, part musical, part acting and part free-flowing improv. Whatever the label, “An Evening with Groucho” is a chance to appreciate Groucho’s genius and the contemporary actor who is his heir in spirit, intellect, and irreverence. </p>

<p>Frank Ferrante performs “An Evening with Groucho” at the ACT Theatre’s Bullitt Cabaret, 700 Union St., Seattle. Tickets cost $15-$30 and can be purchased at the <a href="http://acttheatre.org">ACT website</a>. Read more about the show <a href="http://www.eveningwithgroucho.com/Site/Home.html">here</a>.</p>]]><![CDATA[]]></content:encoded>
<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-04-27T00:21+00:00</dc:date>
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<title>Suddenly, Etgar Keret knocks on our door</title>
<content:encoded><![CDATA[]]><![CDATA[Renowned Israeli writer, Etgar Keret, joins Seattleites at Town Hall on Wednesday evening to discuss his latest book, "Suddenly a Knock on the Door."<p>Etgar Keret has been heralded countless times as Israel’s modern day Kafka&#8212;the Vonnegut, the Woody Allen of Israel. </p>

<p>Tomorrow night, Seattle will get a taste of what all the hubbub is about. We will be given the opportunity to get a glimpse into this popular author’s quirky personality and his engaging new collection of short stories, <em>Suddenly a Knock on the Door</em>.</p>

<p>Born and raised in Tel Aviv, Keret is sometimes described as being “at the forefront of a ‘new’ kind of Israeli writing,” one that wants little to do with political entanglement. Unavoidably, the region&#8217;s turmoil saturates his work, yet his stories convey no clear message or ideological position. </p>

<p>&#8220;Most of the Jewish writer friends I have are American and I feel closer to them because they&#8217;re always obsessed with one issue – identity: what does it mean to be an American Jew?&#8221; Israelis, he says, rarely deal with the question of what it means to be Israeli. &#8220;Maybe it&#8217;s too difficult, but they tend to suppress it. There is something about Jewish writing that&#8217;s very reflective, while Israeli writing is more active and epic in nature.&#8221;</p>

<p>Instead, Keret’s work is wildly imaginative and extraordinarily witty. He manages to be both sophisticated and “anti-literary,” humorous, while slyly serious. As William Skidelsky wrote last month in the <em>Observer</em>, “While invariably set in contemporary Israel, and full of sex and violence, they also hark back to older storytelling traditions, such as the parable, the folk tale and the absurdist fictions of Gogol and Kafka.”</p>

<p><a href="http://www.lectures.org/season/special_events.php?id=321">Join Seattle Arts and Lectures</a> tomorrow night, Wednesday, April 25 for Etgar Keret’s talk at Town Hall. Hear about his connection with writing, where he pulls his inspiration (after having spent ten long years on this last collection) and participate in some Q&amp;A. </p>

<p>Don’t miss the <a href="http://www.facebook.com/#!/events/212073332239064/">LitUp! event</a> prior to Keret’s lecture at the Sorrento Hotel, sponsored by SAL and Jew-ish.com. This mix and mingle hour will start at 6 p.m., with ample time to walk over to Town Hall (across the street) together as a group to see Keret speak. </p>

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<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-04-24T17:51+00:00</dc:date>
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<title>Catching up with Idan Raichel on tour</title>
<content:encoded><![CDATA[]]><![CDATA[The Idan Raichel Project is taking the world by storm; this week Jew-ish was able to catch up with Idan as he makes his way to Seattle for next weekends concerts at the Triple Door.<p>The Israel-based Idan Raichel Project’s ongoing collaboration of world music has enjoyed international popularity since 2003, with their first two albums having gone triple platinum in Israel. This week Idan Raichel will travel to Seattle for two <a href="http://www.thetripledoor.net/Calendar/Events/April-2012/Idan-Raichel,-Vieux-Farka-Toure,-Yossi-Fine.aspx?date=2012-04-28">shows at the Triple Door on April 28</a> with Vieux Farka Touré and Souleymane Kane of Mali, along with Israeli musician Amit Carmeli.</p>

<p><strong>Jew-ish: How has the tour been so far?</strong></p>

<p><em>Idan</em>: Great so far. We have had many concerts that sold out, which for us reflects the support we are getting from our fans. Since the show is a jam session format, the main challenge was to “rehearse,” so to speak, the vibe: the basic needs that we have to establish to create a “living room” experience for the audience and have a good time. </p>

<p><strong>Jew-ish: How is this tour different from when you toured with Vieux previously?</strong></p>

<p><em>Idan</em>: Previously I was a keyboard player for his band, to learn his music, the Malian grooves. It was a learning opportunity for me as a musician to leave my band and experience a new musical world before this current collaboration.&nbsp;  <br />
This time around it is less drums-oriented, but more percussion oriented. I am playing with Souleymane Kane, one of the best <a href="http://en.wikipedia.org/wiki/Calabash">calabash</a> players of Mali, who used to play with the legendary [late] <a href="http://www.mali-music.com/Cat/CatA/AFT/AFTBioA.htm">Ali Farka Touré</a> (Vieux’s father) as well as Amit Carmeli, one of the best bass players in Israel and a great vocalist who teaches choirs there.&nbsp; <br />
 <br />
<strong>Jew-ish: For those who do not know, what is the focus of your music project?</strong></p>

<p><em>Idan</em>: It is the voice of the Israeli street, and a big influence is the East African/Ethiopian community [in Israel]. But there are artists from all over the world. For those who are less familiar with our work, we just released a new album which is a collection of live shows, and it covers such a  long time frame that is feels almost documentary in nature. These were big shows; the ensembles included up to 28 artists on stage at one point.</p>

<p><strong>Jew-ish: What will you be working on in the near future?</strong></p>

<p><em>Idan</em>: In May, we will be recording with India Arie for Universal Records’ <a href="http://www.imnworld.com/artists/detail/185/open-door">Open Door Project</a>. We will have a bunch of summer concerts in Israel, in beautiful venues, particularly on the [1st Century desert fortress] mountain of Masada. Then we will tour with Vieux in Europe. </p>

<p><strong>Jew-ish: How can we connect with you during the tour?</strong></p>

<p><em>Idan</em>: One good way for everyone to connect is on <a href="http://www.imnworld.com/artists/detail/185/open-door">Twitter</a> and on <a href="http://www.facebook.com/pages/Idan-Raichel-Project/110563442305098">Facebook</a>. We will be posting updates and news about the tour. If you are not familiar with the music, you can get four of our songs to download for free by emailing us. Another way is to show up! [Idan Raichel Project] has become a kind of a movement, with people bringing their instruments after writing to me [online]. There was a Malian singer who joined us onstage in New York, another saxophone player in Paris played with us. People keep joining this movement and I welcome the readers to join us too.&nbsp; </p>

<p><em><br />
The Touré-Raichel Collective featuring Vieux Farka Touré, Idan Raichel, Souleymane Kane and Amit Carmeli // Saturday, April 28 6:30 p.m. (all ages) and 9:30 p.m. (21+) // tickets $45 in advance, $47 at the door // tickets can be purchased on the <a href="http://tickets.thetripledoor.net/eventperformances.asp?evt=244">Triple Door&#8217;s website</a></em></p>

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<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-04-23T19:12+00:00</dc:date>
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<title>When is an egg not just an egg?</title>
<content:encoded><![CDATA[]]><![CDATA[Joelle whips up a Jewish philosophy soufflé for us with her analysis of finding meaning in Jewish life. <p>The incredible edible egg. You can use it to make scrambled eggs, you can use it to make soufflé, or you can even abstain from it all together - the choice is yours. While I’ve gone the <a href="http://jew-ish.com/index.php?/jewish_story/story_entry/one_egg_two_egg_bad_egg_good_egg">scrambled egg route</a> in the past, I think it’s high time for me to take a walk on the soufflé side.&nbsp; </p>

<p>Things have been getting a little out of control as of late. My list of school-related to-dos and extracurricular pursuits is getting to be a little bit overwhelming. And I know what everyone I encounter seems to be thinking: I should be working on my dissertation. Nonetheless, I’m writing this column instead because a person can’t get by on dissertation writing alone. Likewise, for my other pursuits, it literally has come down to writing a list of “priorities” and determining what can be put on hold for a while and what should stay for now. Some of the choices have been easy – dissertation writing, trying to eat healthy and exercise regularly, making time for friends. But some are less obvious – in particular, my intellectual journey into the world of Jewish philosophy.</p>

<p>My investigations into Jewish philosophy began about six months ago. I had been struggling for months, maybe even on some level for years, trying to come to terms with my take on Judaism, figuring out where I fall in the spectrum of Jewish belief and practice. And the only thing that I came up with was that I didn’t fit in to the structures around me.&nbsp; I didn’t want to have a debate about halachah, and attending prayer services left me feeling more alienated and alone than ever. It seemed like I was the only one who felt this way – wanting to feel this spiritual connection and not feeling one at all. And it didn’t feel like there were any readily available answers.</p>

<p>And so began my quest. I got some book recommendations and started reading. It’s been slow – I am, after all, supposed to be focusing on my dissertation – but it’s also been a real delight. Because what I found in my reading was that other people have struggled with the same issues, have asked the same questions that I have and been able to address these questions in an intellectual way. Perhaps I won’t come to the same conclusions they did, having a framework to arrive at answers, or at least more questions, is invaluable.</p>

<p>It would be easier to not ask the questions, and really, there wouldn’t be anything wrong with going on that way. Like scrambled eggs, it would be perfectly fine: We just beat an egg, fry it up, and enjoy. It’s enough to get by on, but not really exhilarating, fulfilling or challenging. And sometimes that’s all we need, all we want or all we have time for. But the beauty of a soufflé is that it really is simply an egg, deconstructed and put back together. For a soufflé, we must separate the egg, whip the whites, make a custard with the yolks and then reunite the two. It’s a lot more work. But the thought and effort of creating the soufflé lead to a meal with more depth and intrigue. Perhaps we even achieve a greater understanding of how incredible and versatile a simple egg can be.&nbsp; </p>

<p>So I’m choosing to make a Jewish philosophy soufflé: take it apart, come to appreciate it for what it is, and put it all back together again. I still have my equivalent scrambled egg moments, but it’s nice to know that there’s a recipe to be had for when I’m up for the challenge. In any case, no matter<a href="http://www.epicurious.com/recipes/food/views/Goat-Cheese-Souffles-and-Mixed-Greens-with-Raspberry-Vinaigrette-5809"> how you like your eggs</a> or your Judaism, I hope you find both enjoyable and fulfilling.</p>

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<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-04-19T17:34+00:00</dc:date>
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<title>Earth Day the Jewish Way</title>
<content:encoded><![CDATA[]]><![CDATA[As Jews, we have an obligation towards tikkun olam and respecting the earth. We can keep this in mind as we approach Earth Day and consider ways to celebrate incorporating Jewish values.<p>As we restore our homes to their “natural state” after Passover and prepare for commemorations like Yom HaShoah and Yom Hazikaron, another holiday falls in between that is not innately Jewish, but nevertheless important to our larger culture: Earth Day. </p>

<p>In a <a href="http://www.siemens.com/press/pool/de/events/2011/corporate/2011-06-northamerican/northamerican-gci-report-e.pdf">study</a> released by the <a href="http://www.eiu.com/public/">Economist Intelligence Unit</a> last June, Seattle ranked fourth “greenest” city in the United States and Canada. Seattleites often pride themselves in being forward thinking and environmentally friendly. So, as Jews, what is our obligation towards a day, first observed over 40 years ago, which calls Americans to environmental action?</p>

<p>There are many ways to see Earth Day as a Jewish celebration. <a href="http://coejl.org/">The Coalition on the Environment and Jewish Life</a> calls attention to the fact that “Judaism provides us with a lot of traditional holidays in which to appreciate our connection as Adam (humankind) to Adamah (Earth). Earth Day is also a time to consider Jewish environmental values by celebrating the human connection to the natural world and placing a powerful emphasis on protecting and preserving it.”</p>

<p>The COEJL gives <a href="http://coejl.org/resources/passover-and-earth-day/">an overview the Jewish approach to Earth Day</a>, offering a comprehensive list of ways (incorporating Judaism) we can make changes in our own lives to be greener and promote sustainable living. </p>

<p>There are many ways you can get involved locally on Earth Day to show your support for reducing your carbon footprint. The Seattle Times has an <a href="http://seattletimes.nwsource.com/html/outdoors/2011656528_earthday22.html">events listing</a> including some of the activities going on around the Puget Sound. Additionally, I recommend reminding Jewish organizations you are affiliated with that Earth Day is important not only to the larger community, but also to the Jewish community. While we sometimes see Tu b’Shvat as our own Jewish version of this holiday, we can take this opportunity to make a special second effort in the year to celebrate and appreciate the planet we live on. </p>

<p>Protecting our precious resources regardless if we believe they were put on this earth by a higher power or not is part of our responsibility as both humans and Jews. Often we get caught up in the past paced and consumptive reality of life, but these larger reminders – days which “force” us to pay attention and act – can often remind us how we connect on a higher level to the planet which sustains us. </p>

<p>Like other holidays that have a larger message that should theoretically <a href="http://www.jtnews.net/index.php?/viewpoints/item/9134/C30">resonate throughout the year</a> (such as Passover), Earth Day is on our calendar to remind us that one day is not enough to make a lasting impact. However you decide to spend your day this Sunday, April 22, think about ways in which to treat our environment with the concept of tikkun olam (repair the world) in mind. </p>

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<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-04-18T16:17+00:00</dc:date>
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<title>Ending Seattle’s cycle of poverty</title>
<content:encoded><![CDATA[]]><![CDATA[Since the onset of the economic recession in 2008, nearly one-quarter of a million households in Seattle just getting by have now slipped below the poverty line. A UW prof. and JFS's CEO discuss. <p>Traveling to the community meeting at a downtown Westlake Avenue venue on the subject of ending poverty in Seattle was a feat of strategic proportions — due to construction, closed streets, and congestion over massive Seattle Center renovations that signal the upcoming high-priced upgrades for tourists and locals to enjoy. <br />
But while many in the city are prospering, University of Washington professor Marcia Meyers and Jewish Family Service CEO Ken Weinberg told an audience of nearly 60 that since the onset of the economic recession in 2008, nearly one-quarter of a million households in Seattle just getting by have now slipped below the poverty line. <br />
“I think we had a problem before the recession, and then, of course, the recession made everything a lot worse,” said Meyers, director of the West Coast Poverty Center at the UW. <br />
Meyers said that in Seattle today, a family of four living within the federal poverty guideline of $22,000 a year will spend 60 percent of that on yearly rent for the average one-bedroom apartment. <br />
“By one estimate, there were about 250,000 families with kids that have slipped below what we call the threshold for economic security,” Meyer said. “That is twice the poverty line.”<br />
The event was the last in a series of four public forums, “Judaism Confronts Human Injustice,” sponsored by the Sam and Althea Stroum Jewish Studies Program at the UW, the Association for Jewish Studies, the Legacy Heritage Fund, and the Henry M. Jackson School of International Studies at the UW. <br />
Noam Pianko, an associate professor of Jewish Studies in the Jackson School and director of the Stroum Jewish Studies Program, moderated the evening’s conversation, which played like an informal living room-style discussion with feedback between audience members and panelists.<br />
Meyers told the crowd that Seattle’s poverty rate is “strikingly average” compared to rates of poverty around the country, but she suggested that making changes in public policy could result in higher incomes for lower wage earners today, that, she said, haven’t seen increases since the 1970s. <br />
Meyers also advocated for greater access to education and what she called a “tax-and-transfer system,” her substitute for the politically charged and highly decried term “income redistribution.” She quickly defended the concept that some call a form of socialism.<br />
“We are very, very, very, very far from becoming a socialist country,” Meyers said. <br />
Instead, Meyers said she sees her tax-and-transfer system as a “foundation of social protections,” in an effort to rebrand social safety net programs like Social Security as humane, effective, and poverty reducing. <br />
“The problem in this country is that it doesn’t reach other populations,” she said. “We don’t have social insurance for working-age families.”<br />
Meyers said she approves of tax breaks such as the mortgage deduction for homeowners and tax-free health insurance for those who have jobs with benefits, but again, believes that more people need to be economically able to take advantage of them. <br />
Other programs that include welfare, food stamps, and housing assistance are good, too, added Meyers, but they don’t do anything to prevent poverty. <br />
Reciting the lyrics to what has become a depression-era anthem, “Brother Can You Spare a Dime,” taught to him by his father as a child growing up in New York, Weinberg told the audience how crushing poverty caused his father to be “staggeringly damaged,” changing who he was for the rest of his life. <br />
Today, he is hoping to dissolve some of the stereotypes about Jews that persist, particularly those that associate the Jewish community with wealth. His numbers reveal the real level of need in the Jewish community in Seattle. <br />
“I asked the person in charge of our Emergency Services Department — that is, rent, utilities, and medications — and in 2007 we gave out, in just rent assistance, $43,000,” said Weinberg. “Last year we gave out $75,000, and if we had an additional $75,000, we could have distributed it all.”<br />
Weinberg said he was proud of the work that JFS does but that as far as he’s concerned, it’s really only a “Band-Aid” over the problem of poverty that will never be eliminated in our society.<br />
“Jewish Family Service has a food bank and we serve 4,000 families a month,” Weinberg said. “Of the 15,000 people we serve a year, about half of them fall below poverty level. In 2007, we saw 17,000 people and in this past year, 2011, we saw 22,000 people. Many of them are refugees from the former Soviet Union. What we did is we settled hundreds of thousands of Jews and then we dropped them.<br />
“I think there’s a certain sense of noblesse oblige in members of my community,” he added. “I want to substitute the word charity with justice, so that when somebody contributes $10,000 to the food bank, it’s not charity, it’s justice.”</p>

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<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-04-12T15:00+00:00</dc:date>
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<title>‘Free Men’ uncovers Muslim role in helping French Jews during WWII</title>
<content:encoded><![CDATA[]]><![CDATA[Director Ismael Ferroukhi takes a look the humanity and peaceful coexistence between Jews and Arabs that is often forgot today with his film, "Free Men." <p>If movies can truly make a difference, then the timing of the soulful French wartime drama “Free Men” couldn’t be better.<br />
Based on actual events, the engrossing second film by the Moroccan-born director Ismael Ferroukhi reveals the largely forgotten efforts of the director of the Mosque of Paris, Kaddour Ben Gabrit, to assist the Resistance and save Jews during the Nazi occupation.<br />
With contemporary Muslim-Jewish tensions in France and elsewhere an ongoing cause of concern, “Free Men” provides a deeply felt reminder that both peoples are capable of performing bravely and righteously when faced with mindless racism.<br />
“It’s true that I wanted the film to have an echo today, and to echo in the Arab and Jewish relationship that most of the time we believe is nonexistent,” Ferroukhi said in a phone interview a few days before the March 19 murders outside a Jewish school in Toulouse.<br />
“Free Men” opens Friday, April 13 at the SIFF Cinema. It made its Seattle debut at the AJC Seattle Jewish Film Festival<br />
The film’s main character is a young, street-smart Algerian who sells black-market goods in wartime Paris. Arrested by the police, Younes (Tahar Rahim) is given a choice: Go to jail, or turn informer and report on the goings-on at the mosque.<br />
“Free Men” is a classic story of political awakening in which a callow protagonist encounters a cause and discovers a purpose larger than himself. With the wise, low-key guidance of Ben Gabrit (played with equal gravitas and softness by Michael Lonsdale), Younes finds himself helping Jews — and changing from selfish to selfless before our eyes.<br />
Along the way, he becomes friends with a gifted Algerian singer with his own secrets, Salim Halali, an actual historical figure played by the Israeli actor Mahmoud Shalaby and dubbed in the musical sequences by the Moroccan vocalist Pinhas Cohen. If this provides a clue to what Salim is hiding, so be it.<br />
“The Northern African population believes, most of the time, that relations between Arabs and Jews never existed,” Ferroukhi explains. “In our research, we discovered exactly the opposite — there were relations. But that memory has faded, and was deleted from collective memory. And that is due to the conflict between Israelis and Palestinians. There was literature as well as music that dates to Andalusia, where the Arabic, Jewish and Christian cultures created culture together.”<br />
Younes is also introduced to the nascent Algerian independence movement. “Free Men” subtly but unmistakably acknowledges the betrayal of the Algerians along with the thousands of other men from France’s North African colonies who fought in the war and were denied the recognition, rights and respect they deserved.<br />
But the soft-spoken Ferroukhi, speaking through an interpreter, downplays the suggestion that “Free Men” is intended to incite younger moviegoers to be politically engaged.<br />
“The movie is not about the need for action, but history reminds the new generation of the need to act,” Ferroukhi maintains. “We can take a lesson that people from different [backgrounds], from different regions, unite for a common goal against a common enemy. I am not here to give any lessons to anyone. I learn from history and other people will learn—I don’t teach.”<br />
Indeed, when Ferroukhi told a Jewish friend who worked on his first film, “Le Grand Voyage,” that Kaddour Ben Gabrit was the focus of his new project, the man exclaimed, “No way — that’s the man who saved my grandma.”<br />
“It’s stronger than history,” Ferroukhi says quietly. “It’s intimacy.”</p>]]><![CDATA[]]></content:encoded>
<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-04-12T00:37+00:00</dc:date>
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<title>The Israeli stage, as seen from Seattle</title>
<content:encoded><![CDATA[]]><![CDATA[“Hosting an Israeli artist is an ideal way to expose students, faculty, and community to the ways that a creative mind mediates the socio-political complexity of life in Israel."<p>As the spring quarter launches into full bloom at the University of Washington, the Stroum Jewish Studies Program prepares for a special visitor to arrive on campus from Israel. Selected as one of 10 sites nationwide to participate in the Schusterman visiting artist program, UW will be hosting world-renowned Israeli playwright Joshua Sobol from April 15 through June 10. <br />
With a vast amount of playwriting under his belt, Sobol is most famous for his work, “Ghetto” (1984), which has been produced in over 25 countries and won the London Critics’ award for Britain’s best play of the year in 1989. His work has been internationally recognized and acclaimed over the last 30 years. <br />
Bringing an Israeli artist on campus to share both his work and his experience gives the program the opportunity to reach across campus and work with other departments, in this case the UW School of Drama, to create a calendar of classes and community events featuring Sobol throughout the spring quarter. <br />
The Schusterman visiting artist program was created to build and share Israeli culture with Jewish communities in a variety of ways. Founded in June 2008 as a project of the Foundation for Jewish Culture, this program brings Israeli artists in a variety of disciplines to North American institutions.<br />
Jewish Studies Program leaders say they are excited about the opportunity to share the wealth of knowledge, experience, artistic wisdom and — possibly most important — the Israeli and Jewish culture Sobol brings to the community and campus. <br />
“We see this as an opportunity to expand across the university to expose other programs to Israeli and Jewish culture,” said Jewish Studies chair Noam Pianko. “One of our missions is to take what we study and research and share that with the community.” <br />
The Jewish Studies program’s Hannah Pressman, who is in charge of coordinating events during Sobol’s visit, agreed. <br />
“Hosting an Israeli artist is an ideal way to expose students, faculty, and community to the ways that a creative mind mediates the socio-political complexity of life in Israel,” she said. “We hope that Mr. Sobol’s presence during spring quarter will help to highlight Israeli culture for those curious about the role of the artist in this complicated part of the world.”<br />
Aside from the 60 plays Sobol has written, he has also authored several novels and non-fiction books and taught workshops at a number of Israeli Universities. <br />
“Though teaching has never been my main occupation, I have always kept a working contact with drama departments at various Israeli universities and training schools for actors,” Sobol told JTNews. “I find the working contact with students very stimulating and inspirational.”<br />
While working with the UW School of Drama, Sobol plans to share with students his experience “in approaching text as a point of departure for improvisation and using improvisation as a basis for creating and approaching text.” <br />
He plans to work with students on exploring many aspects of dramatic interpretation, along with introducing students to the form and the open structure of the so-called Polydrama, “a form I developed in cooperation with the Austrian director Paulus Manker,” Sobol said.<br />
Having worked primarily with Israeli students in the past, Sobol said he looks forward to his upcoming work with American students. <br />
“I am quite curious to meet young American students,” he said, “and to get an idea about the values, the taste, the ideas and the beliefs and convictions that animate them, in one word — to capture the Zeitgeist of the present rising generation of young Americans.” <br />
Odai Johnson, head of the UW’s School of Drama Ph.D. program and associate professor of theatre history, will be co-teaching a playwriting class with Sobol. Like Pianko, Johnson said he looks forward to working across the university with other departments during Sobol’s residency. <br />
“We are delighted to have a professional playwright of international reputation here in residence working with students in the School of Drama,” he said.<br />
Beyond teaching classes with the drama and Jewish studies programs at UW, Sobol will be spending his visit working with other Jewish organizations throughout the greater Seattle area to share his artistic and cultural experience. Currently, <a href="http://jewdub.org/on-the-street/israeli-playwright-visits-uw/">community events</a> that will feature Sobol and his work include a reading at the UW Bookstore on May 8, and an invitation-only evening of staged readings on May 15. <br />
“We have reached out to Seattle Jewish organizations to allow Mr. Sobol to engage with the community here,” said the Jewish Studies Program’s Pressman. Programs so far include engagements with UW Hillel and synagogues in Seattle’s Northend.</p>]]><![CDATA[]]></content:encoded>
<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-04-11T15:00+00:00</dc:date>
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<item>
<title>Wiens on Wine</title>
<content:encoded><![CDATA[]]><![CDATA[Impressing hosts with a good wine is hard enough - now make it kosher for Passover, and for Drake. <p>A reminder: the only reason you have for showing up with pink carnations and the small bottle of Manischewitz is if you are attending sometime of ironic hipster seder and/or performance art. Busted? Next year (and for all upcoming holidays that require wine, which is all of them) simply match up your host to find the perfect wine.</p>

<p><strong>Your future In-laws</strong><br />
Wine: <a href="https://wwws.onlinekosherwine.com/advanced_search_result.php?keywords=pacifica&amp;submit.x=0&amp;submit.y=0">Pacifica Meritage</a> (red)<br />
Price range: $35-40</p>

<p>If you get invited to your sweetie’s parents place, you are going to have to look beyond the Trader Joe’s wine aisle for an appropriate hostess gift. You want to bring a wine that whispers “I respect you and want your approval” but does not scream “I think you’re a huge snob so I brought the most expensive kosher wine I could find.” Enter Pacifica Meritage. Not only is this quite possibly the best kosher wine available for sale in Seattle, it is also the Swiss Army Knife of alcohol, able to please a variety of palates (the Manischewitz purists notwithstanding) and lending itself well to a variety of entrees from brisket to matzoh lasagna. </p>

<p><strong>Bonus</strong>: This is the first kosher wine from Washington State’s famed Columbia Valley. This little tidbit will be sure to fill at least three minutes of uncomfortable silence.</p>

<p><strong>Your Rabbi</strong><br />
Wine: <a href="https://wwws.onlinekosherwine.com/advanced_search_result.php?keywords=binyamina&amp;submit.x=0&amp;submit.y=0">Binyamina Special Reserve Chardonnay</a> (white)<br />
Price: $20-23<br />
Getting invited to your rabbi’s table is a huge honor, but it can also be a little nerve-wracking. You will want to bring a wine that is delicious but unpretentious; thus, I suggest this smooth crisp Chardonnay. This wine has the distinction of being the only white wine that got above a 6 from me at the <a href="http://www.jtnews.net/index.php?/news/item/ten_years_nine_wines_eight_nights/">JTNews’ Passover wine tasting</a>, and for good reason. If you are the super nervous type, take comfort that this delicious white will not stain your host’s tablecloth if you get a little too comfortable. </p>

<p><strong>Drake</strong><br />
Wine:<a href="https://wwws.onlinekosherwine.com/advanced_search_result.php?keywords=bartenura&amp;submit.x=0&amp;submit.y=0"> Bartenura Moscato</a> (white or rosé)<br />
Price: $11-16<br />
Lucky you: You got invited to the best Jewish rapper’s (sorry Matisyahu!) table. Before you pawn your Civic to buy a magnum of Krystal (it’s not even KLP, dummy, and it’s so 2004) head to grocery stores and pick up a lovely blue bottle of Moscato (now featuring a festive cloth cover). Not only does our favorite Canadian MOT extol the virtues of this sweet white wine in his music, but it’s experiencing an upswing with his colleagues (betcha never thought a kosher wine would take out full page ads in <a href="http://www.vibe.com/">Vibe</a>) and is also quite affordable, so you really have no excuse to show up with anything less than a case. <br />
PS: If you are not going to Drizzy’s, this wine will also be a hit with most people born prior to 1950.</p>

<p>If for some reason your host is not one of the above three people (can’t imagine why) I also suggest these K-L-P wines in a pinch - and they&#8217;re are less than $20:</p>

<p><a href="https://wwws.onlinekosherwine.com/advanced_search_result.php?keywords=cardova&amp;submit.x=0&amp;submit.y=0">Ramon Cardova Rioja (red)</a><br />
<a href="https://wwws.onlinekosherwine.com/product_info.php?products_id=1343">Herzog Selection Chateneuf (white)</a><br />
<a href="https://wwws.onlinekosherwine.com/advanced_search_result.php?keywords=sion+creek&amp;submit.x=0&amp;submit.y=0">Golan Sion Creek Red (red)</a></p>]]><![CDATA[]]></content:encoded>
<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-04-10T15:00+00:00</dc:date>
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<title>Passover eats: Flourless chocolate walnut and fig cookies!</title>
<content:encoded><![CDATA[]]><![CDATA[Seattle foodie-blogger Mark Michael shares something delish with jew-ish.<p>I am happy to introduce some new Seattle foodie Jews to jew-ish.com, Mark Michael and his wife, Ashley. Mark approached me a few weeks ago, and I was psyched to check out his blog, <a href="http://theseattlecook.com/">The Seattle Cook</a>. In honor of Passover, Mark and Ashley whipped up a flourless chocolate confection - one that thankfully does not call for the 12 or so eggs typical of Passover desserts - but it sure makes up for it in sugary goodness! </p>

<p>Jew-ish will be talking with Mark more in depth pretty soon, but for now, have a cookie.</p>

<p>- Emily</p>

<p>The recipe is from Ashley and can be viewed <a href="http://theseattlecook.com/2012/04/05/flourless-chocolate-walnut-fig-cookies-passover-approved/">on their blog</a> too.</p>

<p>Mark has been asking me to make something for Passover nonstop for the past week. So tonight was the night! If you couldn&#8217;t already tell, I have a mega-sweet tooth going so I decided to make a flourless cookie. While trying to find the best recipe in the world, I ran across <a href="http://smittenkitchen.com/2008/04/17-passover-dessert-ideas/">Smitten Kitchen</a>. The pictures are what lured me in.</p>

<p>It was 9:30 p.m. and knowing we didn&#8217;t have eggs, I asked Mark to &#8220;check the fridge&#8221; to see if we had everything. I was hoping he would discover the 1 egg and immediately offer to go to Saveway to pick some up. But after his hemming and hawing I gave in and decided to accompany him on the wild Saveway adventure. Pretty tame tonight&#8230;we got our eggs, dried figs (my recipe addition) and a Real Change paper.</p>

<p>So here is what you need:</p>

<p>2-3 cups walnuts, halved<br />
1 cup dried figs, chopped<br />
3 cups confectioners&#8217; sugar<br />
3/4 cup unsweetened cocoa powder<br />
1/2 tsp salt<br />
4 large egg whites <br />
1 Tbs vanilla extract</p>

<p>Preheat the oven to 350 and prepare three baking sheets with parchment paper. </p>

<p>Spread the walnuts evenly over one of the baking sheets and pop it in the oven for about 10 minutes until the walnuts are golden.&nbsp; Let them cool and then chop them up!</p>

<p>In a bowl, whisk the sugar, cocoa powder and salt&#8230;then add the walnuts and figs.&nbsp; While whisking add the egg whites and vanilla until all the batter is moistened. It is important not to over mix as the mixture will stiffen.&nbsp; </p>

<p>Arrange the oven racks on the upper and lower thirds of the oven and reduce the heat to 320.</p>

<p>Spoon the batter onto the baking sheets in even mounds and bake for 15-17 minutes, until the tops are glossy but cracked. Make sure to shift the sheets halfway through!</p>

<p>Slide the parchment paper and cookies onto 2 wire racks and let them completely cool before enjoying.</p>

<p>Made it? Loved it? Suggestions? Comment below!</p>]]><![CDATA[]]></content:encoded>
<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-04-09T18:59+00:00</dc:date>
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<title>Fight the (Passover) Power</title>
<content:encoded><![CDATA[]]><![CDATA[Why is this week so different from other weeks? Hint: the Passover food factory wants you bloated (and broke).<p>Pesach is a holiday associated with freedom, family and, of course, matzoh. But for many of us it is also a holiday associated with tight waistlines and a depleted checking account. Why? Why is a holiday devoid of most simple carbs an invitation to pack on the pounds and empty our wallet?</p>

<p>It is only a week (okay, eight days). Have you ever been on a diet? You know, a period of time where you deprived yourself of the omnipresent unhealthy processed foods in favor of healthy whole foods? Most Americans have. Most people can go a week without cake or other simple carbs, so why should this week be any different? Why do we pay $6 for a KLP pancake mix that will barely feed three people and is full of artificial and processed ingredients? You know what makes a great breakfast on Passover? A bowl of fresh fruit, plan yogurt (with honey if you like) and almonds. Warm quinoa served with coconut, fresh fruit and a little bit of almond milk is an amazing hot breakfast that is filling and healthy. And let’s not forget the humble grapefruit.</p>

<p>I have a vision of a Pesach where people do not gain five pounds, but rather lose five pounds with a diet based on lean proteins (chicken breasts, fish and grass-fed beef), lots of fruits and vegetables, healthy fats (olive oil and nuts) and of course quinoa. Yom tov afternoons should be spent taking in the cherry blossoms or the baby ducks in Seward Park or Green Lake with friends and family, not in a matzoh lasagna coma.&nbsp; </p>

<p>I am well known as a cupcake fiend, but I recognize that not only are KLP cupcakes not going to taste very good, but they are going to cost double the price of what a decent cupcakes should to produce. Furthermore, is it really in the spirit of the holiday to go to such crazy extents (e.g., loading your system full of matzoh meal and cotton seed oil) to poorly replicate the food that we deprive ourselves in order to observe the holiday? The Pesach Industrial Complex does not want you to think you should or can. Before Purim, the Passover displays creep into the stores whipping up a frenzy in their wake. The threat of scarcity (remember that lack of KLP Coca Cola  in Seattle?) has led many a typical thrifty shopper to spend a month’s grocery budget on a shopping cart (not so) full of condiments and frozen KLP onion rings. The Pesach Industrial Complex has finally taken notice of consumers’ preferences for healthier foods and has started to introduce new “healthy” offerings.&nbsp; But organic matzoh meal is still matzoh meal and a KLP pasta that now has a “gluten free” label is still going to taste horrible and no one with celiac would ever buy it the other 51 weeks a year. </p>

<p>I know I am offering an idealist vision in an imperfect world. Next year in Jerusalem (and in our skinny jeans). </p>

]]><![CDATA[]]></content:encoded>
<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-04-04T21:32+00:00</dc:date>
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<title>Sweet straits</title>
<content:encoded><![CDATA[]]><![CDATA[Reflecting on all the narrow places we've been this year; answering with charoset.<p>With the holiday of Passover upon us, we think about how we can make our escape from our own <a href="http://www.myjewishlearning.com/holidays/Jewish_Holidays/Passover/Themes_and_Theology/Self-Liberation.shtml">Mitzrayim</a>, our own narrow places, so that we venture off through the wilderness in search of our holy land.</p>

<p>I’ve always felt a certain affinity for Passover, and for the past three years I’ve hosted a second night seder. It’s something about the idea of bringing together people of diverse backgrounds to share not just a meal together, but to reflect on the past year - our challenges and triumphs - together.&nbsp; </p>

<p>As I reflect on the past year, I recall all the narrow places I have been. The<a href="http://jew-ish.com/index.php?/jewish_story/story_entry/of_blood_and_cheesecakes"> trips to the ER</a>, the <a href="http://jew-ish.com/index.php?/jewish_story/story_entry/light_unto_darkness">grad school frustration</a>, and one <a href="http://jew-ish.com/index.php?/jewish_story/story_entry/grieving_over_failed_cookies">dating fiasco</a> after <a href="http://jew-ish.com/index.php?/jewish_story/story_entry/breaking_up_its_not_for_chickens">another</a>. As I look ahead to the coming year, I think about where I’d like to be and how I plan to get there. No matter what that journey might look like, there’s no choice but to move forward – because while we may never reach the Promised Land, if we don’t leave Egypt, we’ll certainly never make it there.</p>

<p>But it’s important to remember that there isn’t one road out of Egypt – the journey could take months or years, could be twisting or straight, strenuous or easy. There may be no way to know what the road will be like before trying it or which one is the *right* path. And while anyone can tell you what they think is the best path for you, or really, what was the best path for them or the one they wish they could take, only you can know where you are and where you want to be. </p>

<p>And so, as my head spins thinking about the past and the future, I think I’ll just focus on the task at hand: my seder menu. I’ve got the traditional brisket, the trendy quinoa, the springy green salad – the same foods that will probably grace many other seder tables worldwide. But while the dishes may sound familiar, I’ll also be bringing to the table something that is uniquely me. I’m not talking about food here – I am talking about the person I am, the community I make and am a part of. OK, you’ve found me out; I’m also talking about my secret charoset recipe. And I know, now that I’ve told you I have a secret recipe, the cat has to come out of the bag. So, without further ado, I will let you in on my recipe – it’s neither really Ashkenazi nor really Sephardic; it’s just…me.</p>

<p><strong>Gastronomist Economist Charoset</strong></p>

<p><em>Ingredients</em></p>

<p>*Apples, chopped (I think to use sweeter ones and keep the skins on)<br />
*Lemon juice, for apples<br />
*Pistachio meats (or shelled pistachios), chopped<br />
*Dried apricots, chopped<br />
*Other dried fruits such as cherries, cranberries, blueberries, or hibiscus flowers<br />
*A little honey<br />
*A splash or two of red wine</p>

<p><em>Preparation</em></p>

<p>Toss chopped apples with lesson juice in a large bowl. Add chopped pistachio meats and dried fruits and toss with honey and red wine. Let sit for at least a half hour or so for flavors to come together. That’s it! Will keep for a few days in the refrigerator.</p>

<p><br />
I hope this year your seder is meaningful. And I hope that this Passover can be a time for freedom and rebirth, a time when we can all leave our narrow places in search of broader ones on the paths that are the right ones for us. Chag sameach.</p>]]><![CDATA[]]></content:encoded>
<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-04-02T18:43+00:00</dc:date>
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<item>
<title>Passover in Seattle</title>
<content:encoded><![CDATA[]]><![CDATA[Where to go, and how to DIY<p>Passover is a strange time for some of us here in Seattle. Many of us are transplants with family far away, or at least far enough away that we are stuck trying to figure out the best way to celebrate the holidays on our own. For some of us, without a family seder to attend, we’re just not sure how else to engage in the traditions of Passover or make our own. But Seattle actually offers a number of ways for you to either be part of the community without having family around, or make your own traditions that are unique to you and your Seattle Jewish experience.</p>

<p>Hillel at University of Washington plans a handful of fun community events for JConnecters (20–30 somethings) where you can enjoy <a href="http://www.jconnectseattle.org/?site=jconnect&amp;page=calendar&amp;action=view&amp;year=2012&amp;month=4">low-key activities</a> throughout the week of Passover. Kicking things off this year is the pre-Passover <a href="http://www.jconnectseattle.org/?site=jconnect&amp;page=calendar&amp;action=viewEvent&amp;eid=1214&amp;timestamp=1333609200">Pizza and Beer</a> event, coming up on Thursday, April 5 (the night before Passover begins) where you can consume plenty of doughy pizza and yeasty beer until you’ve had your fill to tide you over (hopefully) for the next 10 days. The following night, Jconnect will host a<a href="http://www.jconnectseattle.org/?site=jconnect&amp;page=calendar&amp;action=viewEvent&amp;eid=2777&amp;timestamp=1333695600"> first night seder</a> at Hillel, which will be a great opportunity for those who would like the tradition of going to a seder with a fun environment and young crowd. We recommend the Hillel seder if you are not interested in preparing a seder yourself or want to meet others in the community that may not have Jewish family nearby. This is a great way to expand your Jewish circle and avoid fussing over matzoh ball soup. </p>

<p>If you are interested in making Passover dinner at home for friends, there are some great suggestions we’ve come up with to maybe make your Passover more fun and give it a little “Seattle” flavor. First, rather than just go with a traditional seder, come up with a theme for your seder that might be both topical (i.e., have some connection to the story of Passover) and also personalizes the celebration. Maybe you can figure out a way to make Star Wars relevant to Passover. After all, <a href="http://io9.com/5895340/is-darth-vaders-armor-proof-that-hes-secretly-jewish">Darth Vader is speculated to have a Jewish connection</a>. Depending on how much effort you’re willing to put into the preparation, you can <a href="http://diyseder.com/">DIY some haggadot</a> with your theme interwoven in the story and make your seder unique and entertaining. </p>

<p>Some people are turned off by the traditional foods that are part of the Passover seder, such as the gefilte fish or horseradish from the jar. But it’s not difficult to make these dishes yourself and they taste so much better if you do. A simple recipe for <a href="http://cooklikeyourgrandmother.com/2008/05/how-to-make-horseradish/">DIY marror</a> (typically horseradish) is quick, tasty and a thousand times more appetizing than the bright pink stuff you buy at the store. In fact, if you want to take your Passover experience even further, <a href="http://www.organicgardeninfo.com/growing-horseradish.html">growing your own horseradish</a> is quite simple, and though you’ll have to wait to harvest it for next year’s seder, you may want to consider this DIY idea for future years. </p>

<p>Our last tip for the upcoming weekend is buying a brisket. Brisket is the cornerstone of many Passover dinners, and regardless of whether you are preparing a traditional or more avant-garde recipe, you’ll need to know where to order and purchase your meat. There are many local grocery stores that either carry brisket regularly or can order it for you. If kashrut is an issue, the grocery outlets carrying kosher brisket in Seattle are <a href="http://maps.google.com/maps/place?q=albertsons+mercer+island&amp;cid=6335189614454975839">Albertsons </a>on Mercer Island, <a href="http://maps.google.com/maps/place?q=qfc+university+village+seattle&amp;cid=4439111743112726064">QFC </a>in University Village and <a href="http://www.pccnaturalmarkets.com/locations/sp.html">PCC </a>Seward Park (which is actually having a <a href="http://www.pccnaturalmarkets.com/events/passover_sale_2012.html">kosher for Passover sale</a> Sunday, April 1) and <a href="http://www.pccnaturalmarkets.com/locations/vr.html">View Ridge</a>. We recommend calling first to be sure and to order the appropriate weight for your dinner. </p>

<p>Remember, Passover doesn’t have to be all Manischewitz products (oof, especially <a href="http://www.jew-ish.com/index.php?/jewish_story/story_entry/4350">the wine</a>) or feeling homesick for your family on the holiday. There are plenty of opportunities here in Seattle to either gather with new and old friends or create unique traditions for your own seder. Whatever you decide for the upcoming chag, enjoy the spirit of the Passover and make it special. Lechaim!</p>

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<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-03-31T01:51+00:00</dc:date>
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<title>Bubby&#8217;s Bread: Get it while it&#8217;s hot (or frozen)</title>
<content:encoded><![CDATA[]]><![CDATA[A new enterprise on the challah frontier opens in Seattle next month.<p>Admit it. It has been a hard week. The last thing you want to do is come home and make a nice Shabbat dinner, especially the fresh-from-the oven challah your family expects. But your family expects it. That’s something Sharon Smith Elsayed recognized, and once Passover ends she’s got a solution: <a href="http://bubbysbread.com/">Bubby’s Bread</a>. <br />
Over the past several months, Smith Elsayed has been mixing, kneading, experimenting and testing flavors and consistency of dough that could be frozen and easily thrown into the oven just before Shabbat.<br />
“There’s no lack of people willing to test freshly baked bread,” she told JTNews. <br />
Admittedly, all that work was grueling, “but I had plenty of friends around the Seattle area who were willing to be test subjects,” she said.<br />
Bubby’s will offer four traditional flavors of challah in three different packages: Lithuanian, Sephardic pumpkin, Czernowitzer and honey whole wheat. All but the whole wheat are based on recipes by James Beard award-winning artisan baker Maggie Glezer, from her book “A Blessing of Bread.”<br />
The Lithuanian challah is the lightest of the flavors, and doesn’t actually contain eggs. <br />
“The women would sometimes divide a single egg amongst them to glaze their challah,” Smith Elsayed said.<br />
She described the Czernowitzer as “much more of a classical European challah,” with a substantial amount of olive oil to make it rich and dense.<br />
Smith Elsayed said that with people watching their diets and cholesterol levels, many of them want the fresh challah experience but with the health benefit of whole grains. <br />
The last flavor, “the one that has gotten the most rave reviews all over, is the Sephardic pumpkin challah,” Smith Elsayed said. The pumpkin is hardly noticeable, she said, but gives the bread a very moist texture. Like many baked pumpkin goods, the challah is subtly spiced with ginger and cardamom. And, the next morning, she said, “It is just incredible as French toast.”<br />
The frozen challahs are available as dough only, to allow for families to braid themselves; pre-braided in six strands; and in smaller knots for individual-sized portions. During the first week of operation, Bubby’s will also offer challahs in the traditional post-Passover key shape. Prices run $3.50–$5.50, depending upon flavor and style. <br />
Smith Elsayed has her own preparation facility in Kirkland, which allows her dough to be kosher-certified by the Va’ad HaRabanim of Greater Seattle.<br />
“They have been wonderful to work with,” Smith Elsayed said.<br />
Once the facility gets up to speed, Smith Elsayed will begin hiring. The company she started that does business as Bubby’s Bread is called We Work Together.<br />
“My goal is to provide local employment for people who otherwise are struggling to find work,” Smith Elsayed said. She would “provide both mentor and apprentice opportunities.”<br />
She said she is currently talking with programs in the area to identify at-risk youth or people with disabilities who can help with the preparation and braiding.<br />
The idea for Bubby’s came from a friend who saw a picture of the Sephardic pumpkin challah posted on Facebook. Smith Elsayed’s children grew up helping her make challah every week, and she continued to bake after her kids went off to college. This friend, it just so happened, has a husband who owns a company that ships frozen food all over the world and urged Smith Elsayed to think big. At the same time, she had just been laid off from the University of Washington because of state budget cuts. The timing, she decided, was right.<br />
“I need to support my family,” she said. <br />
Though she has been in Seattle for 18 years — she grew up outside of Spokane but lived on the East Coast and spent two years along the Israeli-Lebanese border providing emergency psychological services after the first Lebanon war in the 1980s — when she came back here “I heard this constant refrain that you can’t get decent challah,” she said.<br />
Most commercially available challahs in the area are at least a day old, Smith Elsayed said. In areas with more densely packed Jewish populations like New York or Baltimore, just before Shabbat someone can pick up a challah still warm in the bag.<br />
“Challah tastes best when it’s freshly baked,” she said.<br />
Ultimately, Smith Elsayed wants to help families take time out to remember how to live a Jewish life in a busy world. <br />
“Jewish traditions are a big part of a healthy, well-rounded life,” she said. “Somehow making it easy for people, for families, for kids, to participate in those traditions to keep them in a way that’s meaningful for them but isn’t so onerous…let’s make it easy for you to do so.”</p>

<p>Bubby’s Bread is taking online orders for delivery the week prior to Shabbat on April 16. Pickup spots are at the Bubby’s preparation facility in Kirkland on Tues., and Wed., April 13 and 14, and at the Pike Place Market in Seattle on Thurs., April 15. Visit www.bubbysbread.com for further information.</p>]]><![CDATA[]]></content:encoded>
<dc:subject><![CDATA[Other,]]></dc:subject>
<dc:date>2012-03-30T15:00+00:00</dc:date>
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<item>
<title>Making Passover a little less crazy</title>
<content:encoded><![CDATA[]]><![CDATA[BCMH's Pesach Learn-In offers some tips on how to stay sane this holiday season.<p>“Let’s face it,” said Rabbi Simon Benzaquen, “Pesach is a little crazy.”<br />
Just remembering the exodus from Egypt is one of the 613 commandments, said the rabbi of Seward Park’s Sephardic Bikur Cholim congregation. So why is it necessary to clean every square inch of our homes, cars and workspaces, to change out dishes, and cook enough food for a small army? <br />
“Do we need a holiday that is so physically demanding?” he asked.<br />
Benzaquen is not, of course, going to downplay the significance of Passover. <br />
“It’s all about preparing our hearts and our souls for what slavery was,” he said.<br />
But Passover doesn’t have to be crazy, and that was one of the major points of the Pesach Learn-In held at Bikur Cholim Machzikay Hadath on March 18. The morning of learning was part of an effort to increase adult spiritual programming, spearheaded by Marlene Kaplan Kravette and Richard Berger. Last fall’s “Elul Learn-In” preceding the High Holidays was a big success, and the congregation plans to hold a program for Tisha B’Av and a second Elul learn-in this year. <br />
In addition to lectures on spiritual preparation given by Benzaquen, BCMH’s Rabbi Moshe Kletenik, Ezra Bessaroth’s Rabbi Ron-Ami Meyers, the West Seattle Kollel’s Rabbi David Fredman and LivingJudaism’s Rabbi Mark Spiro, Jewish community members flocked to workshops on Passover simplification strategies. <br />
“Keep it simple and fresh,” said Evelyn Prizont, who presented on “Pesach Recipes to Die For” along with Rena Berger, who spoke to “Creating the Ultimate Seder Plate.”<br />
Prizont and Berger passed out a packet of recipes that included both fresh, healthy options — like homemade mayonnaise, poached fish and lemon-mint granita — and traditional recipes passed down in Berger’s family, like kneidlach, steak and potato kugel, and wine and nut cake. <br />
Though she shared six different charoset recipes (including fig and Port wine charoset and a candied walnut charoset), Berger noted there’s not much you can do to pump up the seder plate. Instead, she emphasized that seder hosts should not go overboard with the meal. One only needs to swap out one or two items from a traditional Shabbat meal to make it Passover friendly. <br />
“Keep it simple,” she said. “Don’t stress out.”<br />
“Dust is not chometz,” said Kletenik in the well-attended workshop he led with Richard Berger on holiday stress reduction. “It’s not spring cleaning. You don’t have to wash the windows. You don’t have to organize the closets.”<br />
Still, he said with a knowing smile, “I know no matter what I tell you you’re not going to listen.” <br />
Berger contributed tips for making Passover preparations easier: Involve the children as much as possible, stay focused on one task at a time, keep a list of accomplishments in addition to a to-do list, use a timer to stay on track with tasks, and take relaxing and regular breaks. <br />
Give yourself an emotional break, too, he suggested. Useful therapies include asking for help, taking alone time, laughing, breathing, drawing, listening to music, meditation, Torah study and prayer, managing expectations of family members, and — if worse comes to worst — punching a pillow.<br />
Don’t expect to make everyone happy, and remember “there’s no obligation to be perfect.” Getting the home up to snuff is only one facet of Passover preparation; one needs to prepare mentally and spiritually, keeping in mind the mitzvah of the holiday. After all, reads an important bullet point on Berger’s handout, “Our ancestors were trying to make bread and came out with matzoh.” </p>

<blockquote><p>Some additional simple ways to reduce the stress of Passover prep:<br />
Involve the children as much as possible<br />
Stay focused on one task at a time<br />
Write down everything you need to do<br />
Keep a list of accomplishments<br />
Take 10-minute breaks<br />
Don’t expect to make everyone happy<br />
Refuse to compare yourself with other people<br />
Laugh!<br />
Listen to music<br />
Change your usual responses to challenging family members<br />
Avoid bringing up past mistakes or failures – both yours and others’<br />
Don’t expect people to change<br />
Adjust your perceptions to include peace, compassion, forgiveness and gratitude</p>
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<dc:date>2012-03-29T00:26+00:00</dc:date>
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